My Parents Art
Thought I would show off my parents art work.
Dad:
"Headley's art is an art of convergence and displacement; flaunting its idiosyncracies and boisterous in its unpredictable profusion. He seems neither content with nor contained by the singular incident, preferring instead the restless intercourse of a turbulent aesthetic. He is likewise unwilling to accept or comply with the incestuous and labyrinthine principles of art historical evolution on the contemporary scene. Headley's unselfconscious transgressions may well be a catalyst to the enrichment and expansion of American painting. "
Dad:
"Headley's art is an art of convergence and displacement; flaunting its idiosyncracies and boisterous in its unpredictable profusion. He seems neither content with nor contained by the singular incident, preferring instead the restless intercourse of a turbulent aesthetic. He is likewise unwilling to accept or comply with the incestuous and labyrinthine principles of art historical evolution on the contemporary scene. Headley's unselfconscious transgressions may well be a catalyst to the enrichment and expansion of American painting. "
- DAVID HEADLEY by John Deckert, Arts Magazine, 1981
http://www.davidheadley.com/index.html
http://www.davidheadley.com/index.html
Mom:
"Weather dominates landscape in the most seductive manner. It is nature at its most abstract--most violent, most serene, most mysterious, most prosaic--and it mirrors the changing emotional landscape within me. My painting practice is to work with watery pigments, I pour sweep, brush, drip, and fling layers of paint like clouds scudding across the sky. I coax pools of paint into translucent veils of color. Anchoring these ephemeral elements are gestural tree limbs, horizontal water marks, stripes and blocks of color."
"Weather dominates landscape in the most seductive manner. It is nature at its most abstract--most violent, most serene, most mysterious, most prosaic--and it mirrors the changing emotional landscape within me. My painting practice is to work with watery pigments, I pour sweep, brush, drip, and fling layers of paint like clouds scudding across the sky. I coax pools of paint into translucent veils of color. Anchoring these ephemeral elements are gestural tree limbs, horizontal water marks, stripes and blocks of color."
- Jackie Battenfield



1 Comments:
Beautiful work!
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